Get A Creative Approach to Music Fundamentals , Tenth Edition PDF

By William Duckworth

ISBN-10: 0495572209

ISBN-13: 9780495572206

The world over well known composer William Duckworth covers song basics in 14 concise major chapters supplemented by way of eleven enrichment appendices, providing prolonged insurance when you wish extra guide.

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By William Duckworth

ISBN-10: 0495572209

ISBN-13: 9780495572206

The world over well known composer William Duckworth covers song basics in 14 concise major chapters supplemented by way of eleven enrichment appendices, providing prolonged insurance when you wish extra guide.

Show description

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Extra info for A Creative Approach to Music Fundamentals , Tenth Edition

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As you improve, try to say each pattern in either duple, triple, or quadruple meter, clapping your hands on the downbeats, that is, the first beat of each measure, as you say each sequence. 1. 2. 3. 4. 5. 6. B C D __ __ __ __ __ __ __ __ __ G F E __ __ __ __ __ __ __ __ __ D E F __ __ __ __ __ __ __ __ __ C B A __ __ __ __ __ __ __ __ __ F G A __ __ __ __ __ __ __ __ __ B A G __ __ __ __ __ __ __ __ __ For additional practice naming pitches in the treble clef, see Practice Materials 1-1 and 1-2 at the end of this chapter.

Remember to encircle the second line with the lower part of the clef. 11 Pitch 12 CHAPTER 1 The Basics of Music Once a particular pitch is identified on the staff by a clef sign, the other pitches on that staff follow automatically in alphabetical sequence. Remember, only the first seven letters of the alphabet are used. After that, the sequence of letters repeats. CLASS WORK Because the musical alphabet consists of only the letters A through G, it is important to become fluent in using these seven letters in various combinations.

That is, a new beam is used at the beginning of each pulse. This makes it visually easier to tell where the beats are. When beams are used, they indicate the rhythmic value of the notes in the same way as flags do for individual notes. 5 Rhythm 6 CHAPTER 1 The Basics of Music Sometimes sixteenth-note beams stop in the middle of the pattern and then begin again. This is usually done to make the rhythm clearer to the eye and does not affect the value of the notes in any way. The rule is that if a stem is touched by a beam, it becomes that value, even if the beam touches only one side of the stem.

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A Creative Approach to Music Fundamentals , Tenth Edition by William Duckworth


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